SERIE B Performance - Elvira Frosini / Kataklisma [PALERMO (IT) - May 25 TEATRO LIBERO]

Elvira Frosini / Kataklisma

foto di Mauro Bordin

Palermo - May 25 - 2012
h 10,30 pm

in PRESENTE FUTURO 2012
Performance art - ed.7.1
Teatro Libero
Salita Partanna 4
tel +39 0916174040
teatroliberopalermo.com

SERIE B
Can you eat me?
digestive performance
Stand by
slack performance
SUB-ITALIA 1
woman and flag. A political inconsistency

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SERIE B

Series of performance about the present and Italy, about our contemporary experience in a time in which to feel in "Series B" is the passive condition, implicitly lived, required by a faceless governance tending to avoid conflict.

by Elvira Frosini
production Kataklisma

Can you eat me?
digestive performance

Performance resulted from the research for the new production 2012 (Digerseltz) on the theme of food: a stream that runs and closes. A river of words, words that are vomited, constant chewing, omnivorous adherence to the world, obsession of the food. In the balance between eating and being eaten, to devour and be consumed, the meal performer is the meal for the public, she is food for the hungry or lazy eyes. A body on stage: marginal, precarious, fragile meal for the party, made up of absolute waste. Body digestive, digestive viewer.

with Elvira Frosini

Stand by
slack performance

It starts from a presumed political speech behind the Italian flag, a speech that will never be uttered. Follows a drink, while a woman smiling sinks deeper in the soil. The image of a sad and obligatory party in a stagnant atmosphere.

with Elvira Frosini and Angela D'Alessandro
special guest Gigi Borruso

SUB-ITALIA 1
Woman and flag. A political inconsistency

with Elvira Frosini
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SERIE B is a performative project about Italy
SERIE B is a modular productive format developed in collaboration with artists and performer.
The format is accumulatory and hosts an interchangeable number of performers.
Every performance could differ in format, set, evolution and cast.
SERIE B will develop performance in different places and every encounter with the places becomes a negotiation towards a hybrid space of translation.
The performances could be realized and presented in theatre as well as unconventional spaces