A Resource for Performing Artists, Scholars and Audiences.
that's an easy answer: when she finds her throughline.
very happy to have discovered the inciting incident of my story - which gives my central character a throughline + motivation, and my pivotal character/antagonist a reason to be in the story besides looking like a 21st century samurai pimp.
this particular study needs a lot of technical development, but i have mastered a major hurdle in developing TYFTB (thank you from…Continue
Added by Sylvia Toy on October 24, 2012 at 7:49pm — No Comments
as we all know, art is a lot of hard work. it took me 5 hours to do all the things i needed to shoot short entreactes for my new live-action storyboard TYFTB. there is a character, either fantastical or supernatural TBD, who haunts the hallway in the middle of the night at a mental hospital - the setting of the movie.
i used to be a sculptor. some of my wood figures were so big that i would work on one side all day and i would have to wait…Continue
Added by Sylvia Toy on October 23, 2012 at 10:02am — No Comments
Grace Exhibition Space wants to keep initiating discussions around Performance Art.
The term "Performance Art" has come to mean many different things, with an interpretations and uses as wide and vast as the oceans.
How do you differentiate the vastness of the various Performance Art meanings? It can mean the perfornativity of a Mercedes to the performativity of a pinky . . . .
To us, the meaning is specific to a particular art form that we live and present on a regular…Continue
Added by Grace Exhibition Space on October 12, 2012 at 3:05pm — No Comments
commitment. the word that came to mind when i started watching this Kool: Dancing in My Mind, Robert Wilson's homage to Japanese dancer and choreographer, Suzushi Hanayagi. it also came to mind what the best people who have taught me all said - when you move, move like you mean it and know why you mean it and where you came from.
Added by Sylvia Toy on October 6, 2012 at 9:35am — No Comments
Here is the link to a blog with multiple informations on 'The theater of violent actions presents El Ruído y La Furia' (El Teatro de Acción Violenta presenta El Ruido y la Furia).
This work openly challenge artistic & political representational systems. The 7 performers, mature women without much prior acting experience, manage to fashion an intense & dangerous collective experience. It deals with political violence, communal life, will power & limits…Continue
Added by Javier Montero on October 5, 2012 at 4:30am — No Comments
Added by Sylvia Toy on September 27, 2012 at 1:37am — No Comments
my specialty as a solo theatre artist was mimickry, morphing from one character into another. the first scene i ever did this in took place between a young woman, her mother, her grandmother and her stepfather who were having an argument - and it happened in a kitchen. ever after, i called my multiple character scenes "kitchen scenes." having painted half my kitchen Chroma Green, i am still doing kitchen scenes.
Added by Sylvia Toy on September 17, 2012 at 7:28am — No Comments
i think i am going to have to do a lot of these, most of which will likely be mostly backstory and have to be thrown out. this creature believes the Universe is collapsing and she needs to escape into a black hole. this monologue would occur after she was hospitalized. in this scene, she has been put into a saferoom by herself to settle her down.…Continue
Added by Sylvia Toy on September 16, 2012 at 7:22am — No Comments
CounterPULSE artist in residence, Seth Eisen writes and directs an ensemble of multidisciplinary performers/artists/collaborators in his new Queer history performance project titled Homo File, chronicling the life of Sam Steward, (1909-1993).
Steward was a college professor, a prolific author of homoerotic fiction, an influential tattoo artist, and Queer sexual maverick who lived his last 3 decades in the Bay Area. His artistic development and Queer self-awareness…Continue
Added by Seth Eisen on September 14, 2012 at 2:27am — No Comments
Say you die, and in the Afterlife, you are greeted by the 27 Club - Winehouse, Morrison, Joplin—even Cobain. Metaphysical hijinks ensue. Join New Paradise Laboratories for the world premiere of 27. The party lasts forever.
And add Riley Walter as a friend:…
Added by Katy Otto on September 3, 2012 at 3:50pm — No Comments
Rebecca Longworth as 'Becky'
Added by Sylvia Toy on August 30, 2012 at 2:17am — No Comments
"Thank you for watching my movie. It is a privilege to have it seen by people who have worked so hard, taken so many risks as artists, and then paid it forward by participating as panelists. Thank you also for creating community.
Added by Sylvia Toy on August 22, 2012 at 8:19am — No Comments
Completely Naked starts a new project as a natural evolution from Flashing Bodies: "The Movie!"
Think Surrealist, experimental, think human people in the desert, think retro post avant-garde, think nonsense, think sex, think cool, think Mexican, think…Continue
Added by pau ros on July 30, 2012 at 7:00am — No Comments
From August 20th to the 26…Continue
Added by Aktina Stathaki on July 16, 2012 at 11:58am — No Comments
FOR MORE INFORMATION: www.samtidskunst.dk/acts
Added by Mette Truberg Jensen on June 4, 2012 at 8:41am — No Comments
Visual and Digital Cultures Post-Graduation
The aim of the programme is to provide a critical introduction to key notions, debates and practices in the area of visual anthropology with particular attention devoted to digital technologies. How do new imaging technologies contribute in renewing our approaches to images and visual culture? Approaching visual culture and digital technologies as perspectives and tools for re(thinking) anthropological knowledge at…Continue
Added by Paulo Raposo on May 27, 2012 at 10:27am — No Comments
Elvira Frosini / Kataklisma
Added by Elvira Frosini / Kataklisma on May 20, 2012 at 4:41pm — No Comments
Added by VDREY feat SCHULTZ on May 5, 2012 at 2:03pm — No Comments
Elvira Frosini / Kataklisma
May 10th - 13th 2012 - h 8:45 p.m.…
Added by Elvira Frosini / Kataklisma on May 1, 2012 at 8:45am — No Comments